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Kodak/Atlab Collection
The Kodak/Atlab Collection - 50 new prints created between 2000 and 2005 - is part of the Cinema Lending Collection: premium-quality prints suitable for screening at prestige events. These include significant feature films, documentaries, cinema advertisements and other material. Most of the prints are available on 35mm. A premium is charged for the use of these prints.
About the Kodak/Atlab project
For information on screening one of these premium quality film prints, see Theatrical Loans.
The following 50 feature films are now available on request:
- 27A
- The Adventures of Barry McKenzie
- Alvin Purple
- Backroads
- The Big Steal
- Breaker Morant
- Buddies
- Cars That Ate Paris
- The Chant of Jimmie Blacksmith
- The Club
- Crocodile Dundee
- Crystal Voyager
- Devil's Playground
- Don's Party
- The FJ Holden
- The Getting of Wisdom
- Goodbye Paradise
- Greetings From Wollongong
- Jedda
- Journey Among Women
- Killing of Angel Street
- Lonely Hearts
- Love Letters From Teralba Road
- Mad Dog Morgan
- Man From Hong Kong
- Man From Snowy River
- Money Movers
- Morning of the Earth
- My Brilliant Career
- Newsfront
- The Night The Prowler
- Night Cries
- Odd Angry Shot
- Oz
- Palm Beach
- Petersen
- Picture Show Man
- Pure Shit
- Return Home
- Singer and the Dancer
- Stir
- Storm Boy
- Sunday Too Far Away
- Sweetie
- They're A Weird Mob
- The Year My Voice Broke
- Walk into Paradise
- We of the Never Never
- Wrong Side of the Road
- You Can't See 'Round Corners
Acknowledgement:
The National Film and Sound Archive must be acknowledged as the source of the print on loan for screenings in any publicity/promotion of the screening(s). For films that are part of the Kodak/Atlab Cinema Collection, the sponsors, Kodak (Australasia) and Atlab Australia, must also be acknowledged for their generous support in developing a major collection of new prints for screenings. The National Film and Sound Archive, Kodak/Atlab, or any other logo leaders supplied at the head of a print must be screened to your audience prior to the presentation of the film.
